32 participants in a production workshop conducted prior to the event rebuilt record players one by one. By mounting such different materials as cardboard or iron onto the turntables that were originally made for playing vinyl records, the players were converted into quiet lo-fi devices playing unique rhythms and noises. Composed out of these is a spatial installation, whereas the rotation of each player is controlled by a computer programmed to generate multilayered soundscapes without ever creating the same combination of sounds twice during the event period.
The work directs the visitor's attention to the usually ignored sounds made by players themselves, and demonstrates the meanings, potentials, and historical significance in the realm of sound art of records and players that are gradually falling into oblivion in this age of digital portable players.
