The mise en scene makes frequent use of imagery in the form of projections - animated and live-action films made beforehand, and images generated in real-time on a computer based on the dancers' movements - onto a large screen set up in the back of the stage. The mixture of the actual dance on stage and trick-shot live action footage showing dancers in various sizes is an element that shakes the viewer's senses of perspective and scale, and artfully choreographs a dive from daily life into adventure. The application of projection mapping technology marks an additionally pioneering effort aimed at a spatial visual orchestration by projecting images of corresponding shapes onto stage props and other parts of the stage.
Constructively integrating media technology while stressing aspects of humor and familiarity rather than profound systems, this work is one in a string of approaches aiming to open new horizons in the marriage of "media technology and body expression".