In addition to acoustic and optical parts from the previous version, this one features various original elements including source codes, all of which are deconstructed in an evenhanded fashion. While executing again the original work's fundamentals, this new part stands on its own as a "meta" sort of addition to the "datamatics" project. With extremely high frame rates and changing bit depths characterizing the work's technical dynamics in sound and vision, Ikeda continues to challenge the thresholds of our perception.